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The Birth of Loud: Leo Fender, Les Paul, and the Guitar-Pioneering Rivalry That Shaped Rock 'n' Roll, by Ian S. Port
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Review
“In The Birth of Loud, Ian S. Port has sorted out the facts of the electric guitar’s much-mythologized genesis and cultural conquest. He turns them into a hot-rod joy ride through mid-20th-century American history. With appropriately flashy prose, he dismantles some misconceptions and credits some nearly forgotten but key figures. He also summons, exuberantly and perceptively, the look, sound, and sometimes smell of pivotal scenes and songs. The Birth of Loud rightfully celebrates an earlier time, when wood, steel, copper wire, microphones and loudspeakers could redefine reality. Tracing material choices that echoed through generations, the book captures the quirks of human inventiveness and the power of sound.” —Jon Pareles, New York Times Book Review“Fascinating . . . one of Port’s true strengths [is] his ability to marry an agreeably anecdotal writing style to a musician’s ear. The way a Telecaster snaps and sizzles, the way a Les Paul purrs with liquid, violin-like tones; he just gets it. . . The story of these instruments is the story of America in the postwar era: loud, cocky, brash, aggressively new.” —Washington Post“[An] excellent dual portrait . . . In the second half of the book, Mr. Port, a veteran music journalist, touches on the work of every major guitar player of rock’s golden age, from Muddy Waters to Buddy Holly—whose appearance on “The Ed Sullivan Show” electrified (the pun is unavoidable) Eric Clapton and Paul McCartney and John Lennon—and continuing through Jimi Hendrix, Jimmy Page and, of course, Bob Dylan, whose notorious switch from acoustic to electric at the 1965 Newport Folk Festival scandalized his fans. Not everyone played a Fender or a Les Paul—the Beatles were Rickenbacker fans, and Gretsch guitars had a significant market share—but, as Mr. Port says, the wildfire popularity of those two guitars fueled a world-changing demand for electric guitars of every type.” —Wall Street Journal“Rich in description . . . full of imagist sound-summonings, spot-on human characterizations, and erotic paeans to the bodies of guitars . . . Port can write lovingly, such as when he describes an early, solid-wood model that belonged to the country twanger Merle Travis. . . And he can write with technical lyricism . . . He even made me like Eric Clapton for a minute. And from the fumbled genesis of the electric guitar to its expressive climax, he draws us a beautiful, educational arc.” —The Atlantic“Ian S. Port’s The Birth of Loud reframes the standard history of rock ’n’ roll around the dual creators of the modern electric guitar. . . . Instead of a parade of frontmen and songwriters dueling it out in the charts, Port presents a ground-up account of an at-times begrudging friendship between two Angelenos who created the sound of what we instinctively understand as ‘rock.’ . . . Port’s research is thorough and his prose is lucid. If the evanescence of the internet and the machine-like qualities of synthpop make you want to put words to that vague cultural hunger for something more tactile, more connected to physical reality, this is your book. . . . The Birth of Loud is a compelling addition to the misremembered history of the time.” —SF Weekly“Ian S. Port knows a thing or two about guitar heroes. . . . [With] lyrical, evocative prose, The Birth of Loud includes vivid scenes of Muddy Waters inventing Chicago blues, the Rolling Stones' sex-drenched appearance on The T.A.M.I. Show, Buddy Holly's TV debut with Ed Sullivan, Bob Dylan going electric at Newport and more. Along the way, Fender and Paul hone their inventions to perfection, vie for endorsements from the hottest players, and engage in that age-old driver of American innovation: cutthroat competition.” —KQED “Arts”“A rip-roaring journey through the early days of rock 'n' roll, told through the lives of the men whose innovative guitars helped usher it into existence . . . A lively, difficult-to-put-down portrait of an important era of American art that enhances readers' appreciation for the music it depicts.” —Kirkus Reviews (Starred Review)“A page-turning look at two central players [Leo Fender and Les Paul] in the sonic evolution of popular music. Port explores their trials and tribulations with an expert hand. This is a long-overdue cultural biography of music innovation. VERDICT: Thoroughly entertaining and deeply informative, this love letter to American creativity and rock and roll belongs in every library and should be read by all rock fans.” —Library Journal (Starred Review)“This smartly written and genuinely exciting book walks us through the bitter rivalry between Fender and Gibson and, since there is no way to tell this story without telling the story of rock ’n’ roll itself, also provides a jaunty if necessarily abbreviated history of rock. For music buffs, this one is special." —Booklist“[The] definitive history of the electric guitar and its two foundational personalities [Leo Fender and Les Paul]. Theirs is a fascinating and compelling story, especially in the hands of a writer as committed to lively narrative . . . Port can spin out evocative, succinct rock ’n’ roll writing with the best of them.” —The New York Journal of Books
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About the Author
Ian S. Port is an award-winning writer and music critic whose work has appeared in Rolling Stone, Village Voice, The Threepenny Review, and The Believer, among others. He is also the former music editor of the San Francisco Weekly. A California native and lifelong guitar player, he now lives in New York with his wife, Lindsay. The Birth of Loud is his first book.
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Product details
Hardcover: 352 pages
Publisher: Scribner (January 15, 2019)
Language: English
ISBN-10: 1501141651
ISBN-13: 978-1501141652
Product Dimensions:
6 x 1 x 9 inches
Shipping Weight: 1 pounds (View shipping rates and policies)
Average Customer Review:
4.7 out of 5 stars
44 customer reviews
Amazon Best Sellers Rank:
#2,268 in Books (See Top 100 in Books)
The Birth of Loud is an incredible read! I'm no guitar head, or especially into 60s rock, but this book was a true page turner: Port uses the battle to electrify rock and pop as a way to explore weird old California, the psychology of innovation, and how just a few seemingly small inventions--the solid-body guitar, the electric bass, the pickup and amp--in many ways allowed icons like Clapton, Jimi, and others to express their true selves and potential, which in turn, of course, allowed the 60s to become its true rollicking, counter-culture self. And Port manages to do all this in writing that's engaging on every page--the chapters zip by!
You don't have to be a guitar geek to love this book -- or even a hard-core rock fan. This is a thoroughly engaging ride through the through the 20th Century, from the dusty 20's to the mud of Woodstock, on a wave of music, passion, discovery, triumph, heartbreak and almost unfathomably well-researched visceral detail. It's not just Fender and Paul --though their stories pull you from one chapter to the next -- it's also pioneering women guitarists and bassists that I'd never heard of before, and I'll bet you haven't either.And it's a tale of imagination and invention and their intersection with -- and sometimes collision with -- barriers of technology and economics and race and gender.And it's not just the story he tells as he follows the trail of the progress and influence of the electric guitar on our music and our society, it's the beauty of the writing. Sometimes painstakingly detailed, sometimes lyrical, sometimes jarring, and sometimes ... just magical ... throwing you up against a sentence that forces you to stop, and behold it, and roll it around in your mind, and say "wow -- yes."
This is not history. This is an adventure! Ian Port tells a story that never stops and never slows down. The development of the modern electric guitar is the development of our modern pop culture, pure and simple. And this is what good writing is made of: keen insight, an expert eye for the most telling details, revelatory anecdotes by the bushel, and the capacity to never take sides, to never slant the telling of events.Anyone who lived through the 1950s and 1960s will see their own experience reflected in the two men who became icons of electrified music. Port manages to show how their creations were twisted out of their hands by the next generation, how the instruments grew into icons all their own and changed the course of music to the present day.This book is as thorough as a guitar nerd would wish, but it never wallows in facts. The story moves at a rapid clip and the author is consistent in his nods to every important character, every breakthrough media appearance, and the effect they had on young music fans. Thanks to the internet, his reader can actually watch the very same appearances on e.g. Ed Sullivan or Ready Steady Go! to see for themselves what the hubbub was all about. Port's relative youth gives him an advantage here; he has the requisite distance to observe what is actually going on. And he is a very keen observer.This book is so good, I'm not just going to read it again ... I'm going to BUY it again!!
I've read many of Ian's writings when he was Music Editor for San Francisco Weekly and loved his humor and his insight. If this book is anywhere as good as his other published work it is exciting and fun! I read the Washington Post Review that came out on the 11th which gives this book a rave review. Can't wait to get my hands on it tomorrow! It's about time someone wrote this history!!!
Enjoyable quick read but somewhat lacking in rigor and direction. Meanders a bit on subject matter and chronology. Skims across the lives of Leo Fender and Les Paul without significant depth but as a result presents a good overview of the development of these two guitar types.Once the book gets to Buddy Holly (the last third), the author appears to be on a deadline and moves too quickly from Holly to Hendrix. A few good stories on Eric Clapton but barely a sentence on Keith Richards and Jimmy Page.And no mention of Peter Frampton's 1954 Gibson Les Paul (see cover of Frampton Comes Alive album) and the incredible story of it being missing for 30 years and returned to Frampton in 2010. Huge miss on author's part.Photos of the actual guitars covered in the book would have been really helpful.
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